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    <IdentifierDoi>10.3205/26isfam175</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam1751</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">The Ecology of Touch: Toward a Multisensory Commons</Title>
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        <PersonNames>
          <Lastname>Heiss</Lastname>
          <LastnameHeading>Heiss</LastnameHeading>
          <Firstname>Laura</Firstname>
          <Initials>L</Initials>
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        <Address>
          <Affiliation>Estudio Antimateria</Affiliation>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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    <SubjectGroup>
      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
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      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>175</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Artistic Exhibitis Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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    <ArticleNo>26isfam175</ArticleNo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> My practice examines touch as a primary modality of knowing, foregrounding the soma (The lived body as a site of perception, feeling, and meaning&#8212;your body experienced from within) as an active site of perception and meaning-making. Drawing from contemporary theories of transcorporeality and critiques of ocularcentrism, my work Braille Interstelar expands tactile communication toward speculative, interplanetary semiotics. In dialogue with concepts such as bio-signatures in astrobiology and the cultural constructedness of language, my work situates texture as both inscription and interpretation. Within today&#8217;s saturated visual culture, my work considers healing as a collective recalibration of attention. </Pgraph><Pgraph><Mark1>Objectives:</Mark1> The project aims to explore how tactile engagement can recalibrate perceptual habits shaped by visual dominance. It further investigates how 3D-printed geometries can function as a coded tactile language that invites embodied modes of understanding, while examining how sensory diversification might contribute to reconnection and the restoration of perceptual plurality. </Pgraph><Pgraph><Mark1>Methods:</Mark1> Using 3D printing as a material-semiotic tool, Braille Interstelar is developed through coded geometries and material experimentation. Theoretical frameworks from semiotics and speculative design support the construction of a hybrid language that merges scientific pattern recognition with poetic tactility. </Pgraph><Pgraph><Mark1>Results:</Mark1> The printed interfaces reveal how tactile perception can generate alternative cognitive pathways, enabling audiences to inhabit a more porous and distributed ecology of sensing. Conclusion: By approaching healing as a societal rebalancing of the sensory field, the work positions touch-based communication as a catalyst for perceptual diversity and more reciprocal relations with human and more than human worlds.</Pgraph></TextBlock>
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