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    <IdentifierDoi>10.3205/26isfam160</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam1602</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">WALKIE-TALKIE Method &#8211; Stories, Healing, Placemaking, and Cities. A Geospatial Art-Science Walking Method</Title>
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        <PersonNames>
          <Lastname>Ellingsen</Lastname>
          <LastnameHeading>Ellingsen</LastnameHeading>
          <Firstname>Eric</Firstname>
          <Initials>E</Initials>
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        <Address>
          <Affiliation>National Building Arts Center</Affiliation>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
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      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>160</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Poster Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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    <ArticleNo>26isfam160</ArticleNo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> This introduces a geospatial art-science method translating oral histories and embodied memories of home and neighborhood into walkable paths and hydrological gardens of healing. The approach is grounded in more than a decade of walking-based, participatory landscape research and university teaching, and extends the Mellon-funded Black HerStory Initiative, where I served as co-Principal Investigator designing city-wide interpretive trails, signage, and raingardens.</Pgraph><Pgraph><Mark1>Objectives:</Mark1> To demonstrate a living co-dependent art and science interdisciplinary multisensory research method linking art, poetry, public health, stormwater engineering, and memory preservation; and to initiate an international interdisciplinary walking-lab network.</Pgraph><Pgraph><Mark1>Methods:</Mark1> &#8220;Postholing method&#8221; from Stephen Sennet. Combined with the Method of Loci. Tested in collaboration with The Griot Museum of Black History, through &#8220;walkie-talkie&#8221; sessions with an elder whose life story reflects structural histories of landscape and housing inequity. The method is organized around three human &#8220;feet&#8221;:</Pgraph><Pgraph>Body Feet&#8212;biometric gait, physical health, emotional patterning</Pgraph><Pgraph>Poetic Feet&#8212;scansion, breath, rhythm, narrative meter</Pgraph><Pgraph>Architectural Feet&#8212;measurement, slope, hydrological design</Pgraph><Pgraph><Mark1>Results:</Mark1> Participants generated speculative walking-paths water-paths&#8212;micro-watersheds, raingarden sites, and bioretention corridors&#8212;linking personal memory to local hydrological opportunity and public-health considerations. In peer revied presentation of my research, medical researchers in the geo-spatial community speculated that this method could improve public health, possibly counteract Alzheimer&#8217;s, and express desire to work together. Curators and community partners continue to link experimental interest to research support.</Pgraph><Pgraph><Mark1>Conclusion:</Mark1> Walking becomes both preservation and prognosis: a tool for ecological repair, social connection, and community health through poetic artistic expression.</Pgraph></TextBlock>
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