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    <IdentifierDoi>10.3205/26isfam085</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam0851</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
    <TitleGroup>
      <Title language="en">Embodied and Culturally Rooted Healing: Arts-Based Responses to Crisis and Displacement</Title>
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    <CreatorList>
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        <PersonNames>
          <Lastname>van Houten</Lastname>
          <LastnameHeading>van Houten</LastnameHeading>
          <Firstname>Marloes Sham</Firstname>
          <Initials>MS</Initials>
        </PersonNames>
        <Address>
          <Affiliation>European Association of Dance Movement Therapy</Affiliation>
          <Affiliation>Leyden Academy on Vitality and Aging</Affiliation>
        </Address>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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    <SubjectGroup>
      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
    <License license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>085</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Presentation Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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    <ArticleNo>26isfam085</ArticleNo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> This presentation draws on my doctoral dissertation Greed, Grief, a Gift and twenty years of experience working with crisis-affected communities worldwide. Trauma identification and treatment are culturally bound (Hinton &#38; Lewis-Fernandez, 2010), and Western constructs such as PTSD may not capture how distress is experienced in non-Western settings (Kohrt &#38; Hruschka, 2010). Working with war-displaced Nepali women in Hong Kong, the research explores trauma stored in the body as fragmented images and sensations rather than coherent narratives (Arendt, 2007; Erni, 2012; Gopalkrishnan, 2013).</Pgraph><Pgraph><Mark1>Objectives:</Mark1> Examine how expressive arts therapy can be culturally contextualized for displaced communities.</Pgraph><Pgraph>Investigate how movement-based expressive arts practices support trauma expression, regulation, and resilience.</Pgraph><Pgraph>Critically reflect on power dynamics in therapist-client relationships.</Pgraph><Pgraph><Mark1>Methods:</Mark1> A multimethod qualitative study combining movement-based expressive arts sessions, participant observation, arts-based responses, interviews, and reflexive practitioner journaling. The approach integrates anthropological methodology, the Life&#47;Art Process (Tamalpa Institute), and critical theory (Benjamin, Foucault).</Pgraph><Pgraph><Mark1>Results &#47; Insights: </Mark1>Preliminary insights indicate that culturally integrated movement, ritual, myth, and breath practices enhance accessibility and facilitate embodied expression. Trauma emerges as <Mark1>sensorial and imagistic fragments</Mark1>, requiring non-linear, body-based approaches. Reflexive, co-created practices reduce hierarchical dynamics and strengthen cultural identity and collective resilience.</Pgraph><Pgraph><Mark1>Conclusion &#47; Implications:</Mark1> Contextualizing expressive arts therapy within local cultural frameworks enhances therapeutic relevance, fosters embodied trauma recovery, and supports communal repair. These findings demonstrate how arts-based interventions sustain <Mark1>cultural resilience and collective healing</Mark1> in displaced and crisis-affected populations.</Pgraph></TextBlock>
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