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    <IdentifierUrn>urn:nbn:de:0183-26isfam1718</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">Matter of Healing: An artistic experiment with a clay therapy method</Title>
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          <Lastname>Bergstrom-Katz</Lastname>
          <LastnameHeading>Bergstrom-Katz</LastnameHeading>
          <Firstname>Sasha</Firstname>
          <Initials>S</Initials>
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          <Affiliation>Universit&#228;t Bielefeld,Bard College Berlin, Germany</Affiliation>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
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      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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        <MeetingId>M0652</MeetingId>
        <MeetingSequence>171</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Artistic Exhibitis Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark2>Matter of Healing</Mark2> borrows its method from psychotherapist Hans Deuser who invented a novel form of clay therapy wherein a patient, eyes closed, intuitively sculpts wet clay and a therapist bears witness. Like its predecessor, sand play therapy, Arbeit am Tonfeld<Superscript>&#174;</Superscript> (or Work at the Clay Field<Superscript>&#174;</Superscript>) uses the box as a frame inside of which the psyche can unveil itself.</Pgraph><Pgraph>My project appropriations this therapeutic method as a mode for making art. Following the lines of my previous work&#8212;which decontextualizes materials and theories from psy-sciences, and reframes them in performance, installation, and photography&#8212; this project recontexualizes a psycho- and sensory therapeutic mode querying the divide between studio art practice and therapy. Thus, I explore art therapy&#8217;s practices, methods, and history, looking to see what this can also reveal about art&#8217;s relationship with clay and therapy&#8217;s relationship with art.</Pgraph><Pgraph>The small exhibition of works, in this case, will be the outcome of 7-months at a clay studio called Ceramic Kingdom in Neuk&#246;lln and will include fired outcomes of this experiment. The sculptural drawings appear like large tiles but were instead formed in the clay field as a process of artistic research and self-discovery. I am open to discussing how to display 3-6 tiles and if we would like to include a sand play tray. The exhibition will be paired with a short self-reflexive text.</Pgraph></TextBlock>
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