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    <IdentifierDoi>10.3205/26isfam077</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam0774</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">Beyond the Nuclear Family: Artistic Research on Care</Title>
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          <Lastname>Berentsen</Lastname>
          <LastnameHeading>Berentsen</LastnameHeading>
          <Firstname>Mirthe</Firstname>
          <Initials>M</Initials>
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          <Affiliation>Artist</Affiliation>
          <Affiliation>Policy maker</Affiliation>
          <Affiliation>Curator</Affiliation>
          <Affiliation>Writer</Affiliation>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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    <SubjectGroup>
      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
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      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>077</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Presentation Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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    <ArticleNo>26isfam077</ArticleNo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> Since 2016, my work as writer and artist, has explored the intersection of art, care, language and medical institutions. In 2018 I was the artist-in-residence at the psychiatric department of the Kings County Hospital in Brooklyn, New York, resulting in the book <Mark2>Stories from Kings County Hospital</Mark2> (2019) and <Mark2>Sandplay</Mark2> (2021 &#8211; ongoing), a collaborative installation based on Dora Kalff&#8217;s 1950s therapy explored what happens when care takes shape without words&#8212;when healing becomes visual, tactile, collective.</Pgraph><Pgraph><Mark1>Objectives &#38; Methods:</Mark1> Living and working between spoken and sign languages as a hard-of-hearing&#47;Deaf artist and writer, I approach care through a sensory vocabulary privileging touch, rhythm, and spatial awareness over speech. This embodied perspective informs how care is sensed, enacted, and represented in collective practices.</Pgraph><Pgraph>In 2025, I curated <Mark2>Beyond the Nuclear Family</Mark2> at Academic Medical Centre UMC in Amsterdam (the hospital houses the Netherlands&#8217; largest private art collection). An exhibition about the hospital as a museum of life - about all the care we receive between birthing and dying.</Pgraph><Pgraph>The exhibition launched a months-long interdisciplinary research journey by horse-drawn wagon, retracing the 1972s feminist activistgroup Dolle Mina route across the Netherlands. Through performances, lectures, workshops, and collectivity at cultural institutions nationwide, the project questioned carework beyond the privatization of the household and family. </Pgraph><Pgraph><Mark1>Results &#38; Conclusion:</Mark1> In my practice based research I found that healing environments must cultivate awareness of care&#8217;s social and political dimensions, creating spaces that foster connection, reflection, and imaginative possibilities rather than reproducing aesthetic comfort.</Pgraph></TextBlock>
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