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    <Identifier>26isfam060</Identifier>
    <IdentifierDoi>10.3205/26isfam060</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam0601</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">Creative Arts Laboratories for Collective Repair among Venezuelan Women Sex Workers in Lima, Peru</Title>
    </TitleGroup>
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      <Creator>
        <PersonNames>
          <Lastname>Silva-Santisteban</Lastname>
          <LastnameHeading>Silva-Santisteban</LastnameHeading>
          <Firstname>Alfonso</Firstname>
          <Initials>A</Initials>
        </PersonNames>
        <Address>
          <Affiliation>Universidad Peruana Cayetano Heredia</Affiliation>
        </Address>
        <Creatorrole corresponding="no" presenting="no">author</Creatorrole>
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      <Creator>
        <PersonNames>
          <Lastname>Tavara</Lastname>
          <LastnameHeading>Tavara</LastnameHeading>
          <Firstname>Micaela</Firstname>
          <Initials>M</Initials>
        </PersonNames>
        <Address>
          <Affiliation>Asociacion Cultural Trenzar</Affiliation>
        </Address>
        <Creatorrole corresponding="no" presenting="no">author</Creatorrole>
      </Creator>
      <Creator>
        <PersonNames>
          <Lastname>Leon-Morris</Lastname>
          <LastnameHeading>Leon-Morris</LastnameHeading>
          <Firstname>Francezka</Firstname>
          <Initials>F</Initials>
        </PersonNames>
        <Address>
          <Affiliation>Universidad Peruana Cayetano Heredia</Affiliation>
        </Address>
        <Creatorrole corresponding="no" presenting="no">author</Creatorrole>
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      <Creator>
        <PersonNames>
          <Lastname>Luyo</Lastname>
          <LastnameHeading>Luyo</LastnameHeading>
          <Firstname>Marianne</Firstname>
          <Initials>M</Initials>
        </PersonNames>
        <Address>
          <Affiliation>Universidad Peruana Cayetano Heredia</Affiliation>
        </Address>
        <Creatorrole corresponding="no" presenting="no">author</Creatorrole>
      </Creator>
      <Creator>
        <PersonNames>
          <Lastname>Brisson</Lastname>
          <LastnameHeading>Brisson</LastnameHeading>
          <Firstname>Julien</Firstname>
          <Initials>J</Initials>
        </PersonNames>
        <Address>
          <Affiliation>Dalla Lana School of Public Health, University of Toronto</Affiliation>
        </Address>
        <Creatorrole corresponding="no" presenting="no">author</Creatorrole>
      </Creator>
      <Creator>
        <PersonNames>
          <Lastname>Perez-Brumer</Lastname>
          <LastnameHeading>Perez-Brumer</LastnameHeading>
          <Firstname> Amaya</Firstname>
          <Initials> </Initials>
        </PersonNames>
        <Address>
          <Affiliation>Dalla Lana School of Public Health, University of Toronto</Affiliation>
        </Address>
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      </Creator>
    </CreatorList>
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      <Publisher>
        <Corporation>
          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
        </Corporation>
        <Address>D&#252;sseldorf</Address>
      </Publisher>
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    <SubjectGroup>
      <SubjectheadingDDB>610</SubjectheadingDDB>
    </SubjectGroup>
    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
    </DatePublishedList>
    <Language>engl</Language>
    <License license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>060</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Presentation Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
        </MeetingDate>
      </Meeting>
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    <ArticleNo>26isfam060</ArticleNo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> Nearly one million Venezuelans have resettled in Lima over the past decade, making it the world&#8217;s largest urban host city. Women comprise half of migrants, and amid economic&#47;labour precarity and gender-based inequalities, some engage in sex work, increasing vulnerability.</Pgraph><Pgraph><Mark1>Objective:</Mark1> To co-conduct creative laboratories with Venezuelan women engaged in sex work that center their lived knowledge and meaning-making around migration, settlement, and labor.</Pgraph><Pgraph><Mark1>Methods:</Mark1> Guided by Creative Relational Inquiry, 10 migrant women sex workers aged 18 and over participated in five six-hour creative laboratories (May&#8211;June 2025), co-facilitated with a community artists&#8217; collective. Group discussions and reflection focused on experiences of migration, resettlement, and sex work. Arts-based outputs (e.g. play, dance, writing, and theatre, group dialogue), and reflexive fieldnotes were analyzed using a relational thematic approach.</Pgraph><Pgraph><Mark1>Results:</Mark1> Laboratories culminated in a performance piece that rendered sex work a central, multidimensional site of migration and settlement, naming violence, trauma, and harm while re-framing sex work as labor, dignity, and collective survival. Role-playing and iterative improvisation fostered relationality, emotional relief, joy, and a sense of safety, functioning as practices of collective repair amid ongoing precarity. Sustained social ties and a closed-audience presentation emerged as outcomes, enabling continued connection and collective reflection on the process.</Pgraph><Pgraph><Mark1>Conclusions:</Mark1> This study demonstrates that flexible, arts-based praxis can elicit difficult and often silenced knowledge while supporting relational well-being and symbolic repair among migrant women sex workers living with violence, discrimination, and moral injury, with clear relevance for health research and practice in contexts of crisis and displacement.</Pgraph></TextBlock>
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