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    <IdentifierDoi>10.3205/26isfam002</IdentifierDoi>
    <IdentifierUrn>urn:nbn:de:0183-26isfam0028</IdentifierUrn>
    <ArticleType>Meeting Abstract</ArticleType>
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      <Title language="en">Who else but you&#63; Act out new perspectives through embodied response-ability</Title>
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      <Creator>
        <PersonNames>
          <Lastname>Jahn </Lastname>
          <LastnameHeading>Jahn </LastnameHeading>
          <Firstname>Anne-Kristin </Firstname>
          <Initials>AK</Initials>
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        <Address>
          <Affiliation>The Way of the Fool</Affiliation>
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          <Corporatename>German Medical Science GMS Publishing House</Corporatename>
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        <Address>D&#252;sseldorf</Address>
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    <SubjectGroup>
      <SubjectheadingDDB>610</SubjectheadingDDB>
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    <DatePublishedList>
      <DatePublished>20260612</DatePublished>
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    <Language>engl</Language>
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      <AltText language="en">This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 License.</AltText>
      <AltText language="de">Dieser Artikel ist ein Open-Access-Artikel und steht unter den Lizenzbedingungen der Creative Commons Attribution 4.0 License (Namensnennung).</AltText>
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      <Meeting>
        <MeetingId>M0652</MeetingId>
        <MeetingSequence>002</MeetingSequence>
        <MeetingCorporation>International Society for Arts and Medicine</MeetingCorporation>
        <MeetingName>The Healing Arts &#8211; Forging Alliances of Arts &#38; Medicine</MeetingName>
        <MeetingTitle></MeetingTitle>
        <MeetingSession>Workshop Abstracts</MeetingSession>
        <MeetingCity>Berlin</MeetingCity>
        <MeetingDate>
          <DateFrom>20260618</DateFrom>
          <DateTo>20260620</DateTo>
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      <MainHeadline>Text</MainHeadline><Pgraph><Mark1>Background:</Mark1> Master&#8217;s degree in Acting and Directing (University of Music and Performing Arts Vienna, Max Reinhardt Seminar) &#47; work as director (Schillertheater Rudolstadt, ZDF Kleines Fernsehspiel) &#47; practitioner of Fooling, a playful approach to the inner world, since 2013 &#47; member of the Nomadic Academy for Fools from 2018 to 2025</Pgraph><Pgraph><Mark1>Objectives:</Mark1> Consciously stepping in and out of narratives. My work is inspired by the archetype of the Fool, whom I consider free from any fixed role or state, yet able to embody them. My work seeks to realize the freedom of one&#8217;s own Fool &#8211; and to understand what hinders it. &#8220;Who else but you&#63;&#8221; points to the hidden aspects of oneself as well as the fact that only oneself can bring about change.</Pgraph><Pgraph><Mark1>Methods:</Mark1> Theatre improvisation. Basic tools: uncertainty (accepting not knowing), receptivity (being guided from within), inner dialogue (embodied response-ability), and humor (especially the ability to laugh at oneself). The stage becomes one&#8217;s inner world, which the practitioner explores by embodying whatever arises &#8211; characters from one&#8217;s life, animals, objects, moods. All become part of embodied response-ability.</Pgraph><Pgraph><Mark1>Results and Conclusion: </Mark1>Acceptance of what is present &#8211; development of self-love. Shifting focus from outside to inside, getting in touch with one&#8217;s own needs. Improved ability to listen &#8211; to oneself and to the world around. This work is highly complex: it combines inner and community work, serves as stress reduction and awareness training, and addresses both what one knows and what one does not yet know.</Pgraph></TextBlock>
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